Haruki Murakami is one of the most celebrated Japanese writers of all time, and upon the publication of his acclaimed novel ‘Norwegian Wood’, Murakami became a worldwide success. In this collection of short stories, Murakami pushes the boundaries of normality with every tale, exploring his usual issues of fate, coincidence and solitude through first person narrators who are often disconnected from the real world. Somehow though, the tone is never depressing and despite the often detached narration, each story fascinates in its own way. Saying that though, not every section in this anthology works, as is often the case with short story collections, so I’ve broken this review down story by story to better represent my view of ‘The Elephant Vanishes’ as a whole.
The Wind-Up Bird and Tuesday's Women
When I
initially read ‘Wind-up Bird and Tuesday’s Women’, I was disappointed by the
fact that little happens but then this made sense once I learnt that this story
eventually became the opening chapter to an entire novel, ‘The Wind-Up Bird
Chronicle’. The drive for this story is the search for a missing cat, much like
novel ‘Kafka on the Shore’, but the tone is far less surreal. I’m not a huge
fan of this first story, although I like the odd teenage girl that the
protagonist meets round the back of some houses in his neighbourhood.
The Second Bakery AttackThis is where things start to get a bit more random. A man who feels out of sorts with his life decides that only by robbing a MacDonalds will he get things back on track. I preferred this short to the first story but I struggled to identify with the protagonist and his partner in crime. Great idea though.
The Kangaroo Communique
To mix things up, Murakami writes here in the form of a letter from a worker responding to a customer complaint. Sound pretty dry right? But it’s Murakami of course, so instead of being a bureaucratic exercise in customer relations, this bizarre train of thought reveals the narrator’s sexual desires for the customer he has never met. I was not a fan of this one I’m afraid as both the protagonist and the situation were difficult to identify with.
On Seeing the 100% Perfect Girl One Beautiful April Morning
As the shortest tale yet, this simple story within a story is sweet and charming. The emotional honesty reminded me of some of my favourite moments from Murakami’s classic novel ‘Norwegian Wood’. It’s hard to say much more about this one without spoiling it but the title kind of sums it up. My favourite story from the book so far.
Sleep
‘Sleep’ is one of the few stories in this collection to be told through a female perspective and it’s also my favourite in the entire book. The story revolves around a housewife who struggles through boring, repetitive routines until one day, she suffers a horrific waking dream and suddenly finds she can’t sleep. Two weeks later and she’s still awake but is somehow feeling great. The ‘dream’ that triggers her insomnia is one of the most chilling things I have read in a long time, adding to the surreal atmosphere of the story but despite the odd tone, I still found this short strangely relatable and in my opinion, ‘Sleep’ could have easily been extended into a novella. My only qualm with this one is that I found the ending a bit unsatisfying and I would have liked to have learnt more before it ended.
The Fall of the Roman Empire, The 1881 Indian Uprising, Hitler's Invasion of Poland, And The Realm of Raging Winds
I don’t
have much to say about this one. The idea of linking the significance of small
moments in one’s life to monumental points of history was intriguing but this
story just didn’t do much for me. Luckily, it’s quite short.
Lederhosen
Here’s
another odd little tale that I quite enjoyed. ‘Lederhosen’ is about a mother
breaking up with her husband , finding herself after years of marriage but the
exact reasons for why the divorce occurs remains a mystery, except that it has
something to do with a pair of German Lederhosen… It’s bonkers but it’s classic
Murakami. Love it.
Barn Burning
The
protagonist of ‘Barn Burning’ is a typical Murakami hero. Odd. Quiet. Isolated.
But then once we’ve been introduced to the main character, we meet another man
even stranger, who loves to set fire to random barns. Not much really happens
in this story and as is often typical of Murakami, nothing is really resolved
but I still enjoyed this story and it definitely sticks in your mind.
The Little Green Monster
Now comes one of the shortest stories from ‘The Elephant Vanishes’ but also one of the best. ‘Little Green Monster’ is a dark supernatural fable about a housewife in modern
A Family Affair
This story
is one of the more realistic tales included in this collection and shows off
Murakami’s flair for characterisation. ‘Family Affair’ is about the
relationship between a brother and sister in their mid-20s who live together.
One is laid back and the other is far more mature and organised. The story is
basically about the protagonist meeting his sister’s fiancĂ© but it’s a lot more
interesting than this sounds, due to Murakami’s absorbing style. The whole
thing feels a bit like an excerpt from a longer story but it is one that I
would definitely want to read.
A Window
‘A Window’
is a sad story about a man who used to write anonymous letters to lonely men
and women to support them. The idea of this might seem slightly odd but it
becomes more interesting when the protagonist actually meets one of his past
pen-friends in her flat. What’s great about this story is how much emotion it
conveys in a short few pages.
TV People
Ok. So
imagine for a moment that you’re sitting in your flat, minding your own
business, when a few really short people suddenly appear, setting a brand new
TV down in front of you. These TV people don’t speak or even acknowledge you and
then they leave as quickly as they arrived. That’s the basis of this bizarre
story, which randomly reminded me of both ‘Ring’ and ‘Willy Wonka’ at different
points. Surreal but enjoyable.
A Slow Boat to China
I started off liking this story about a man’s three memorable encounters with different Chinese people but the final third suddenly became quite dull and I didn’t particularly enjoy the rant at the end. This was one of the most disappointing stories for me.
The Dancing Dwarf
Bear with
me. So this story is set in a factory that makes elephants (somehow) and the
protagonist is visited in his dreams by a dancing dwarf. This dwarf promises
that he can make any girl fall in love with the man but only if he lets the
dwarf possess him first. And he’s not allowed to speak the whole time. I loved
this freaky story for its inventive premise and sheer strangeness. You’ll never
read another story quite like it.
After the
last crazy ass tale, we’re back to slightly more realistic territory now, with
the story of a young man who is slightly detached from the lives of those
around him. Sound familiar? In his solitude, the protagonist takes great pride
in mowing other people’s lawns to perfection but he no longer needs the money.
The story is set on the day of the man’s last mowing job and focuses on his
encounter with the lonely middle-aged woman who hires him. If you’re more a fan
of Murakami’s character studies than his surreal flights of fancy, then this is
another one that you will enjoy, with its peculiar feel set against a realistic
backdrop.
The SilenceWe’re coming towards the end now and it seems that Murakami has saved one of the best stories for last. This tale of a young male boxer who has become ostracised by everyone around him, for a crime he did not even commit, is a powerful read and can be interpreted as a critique of Japanese society as a whole. To strike out on one’s own is completely subversive of the Japanese collectivist mentality and so our protagonist struggles at first without that close-knit cohesion he was brought up with but ultimately, the experience only makes him stronger. ‘The Silence’ is definitely one of the most powerful stories in this collection and I wish that it had been placed earlier in the book to grab the reader’s attention straight away.
The Elephant Vanishes
So we’ve arrived at the final story in the collection and with it, we have returned to the bizarre realism that Murakami loves so much. ‘The Elephant Vanishes’ is a mystery surrounding the disappearance of an elephant who became a town mascot. The male protagonist is obsessed with the creature’s whereabouts, keeping newspaper clippings and discussing the subject with just about anybody. As is often the case with Murakami’s work, things are never quite resolved but for me, this is part of the charm of his writing and I enjoyed trying to fill in the gaps. However, if you are someone who needs to know all the answers, who must know exactly how the elephant vanished from the locked room, then this story may not be for you.
Highlights; ‘Sleep’, ‘On Seeing the 100% Perfect Girl One Beautiful April Morning’, ‘Lederhosen’, ‘Little Green Monster’, ‘The Dancing Dwarf’, ‘The Silence’.
This is not
a book for everyone. If you want your stories to be realistic with everything
resolved by the final page, then you will not enjoy ‘The Elephant Vanishes’.
However, if you would like to read about dark lonely characters struggling to
get by in this bizarre world of ours, then you might just get a kick out of
Murakami’s writing. And for anyone worried about cultural differences, it’s
important to note that a western influence is prevalent throughout all of
Murakami’s work. If anything, it is the Japanese who may struggle more to
identify with these tales. Finally, as is always the risk with short story
collections, not every part works but for those willing to give it a go, ‘The
Elephant Vanishes’ is a hugely rewarding read when at its best. Give Murakami a
go. You might be surprised how much you like him!
Which is
your favourite short story from this collection? Are there any other Murakami
books that you would like to read about on ‘Be Careful! Your Hand!’ Remember to
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Is there a relationship between the short stories??
ReplyDeleteGreat question! There are some thematic similarities like there are in much of Murakami's work but I don't think there's an explicit relationship between any of the stories.
DeleteMy interpretation allows me confirm that there IS a relationship. I think there is a pattern in the purpose in general. By that I mean that surrealism is used in these pieces of literature for similar reasons. I believe each of these "weird and strange" events and such depict our own subconscious effort to suppress our own "weird and strange" thoughts and feelings. These short stories simply reveal the creative potential of our subconscious fears and desires, such as in the kangaroo communique, where the narrator cannot censor his desire for intercourse with a woman he has never met, or in sleep, where a woman wishes to escape her routine, ordinary life through insomnia and eventually is attacked by what can be interpreted as her own dissatisfaction of her life, therefore she may be attempting to finish herself, even though the plot is clearly an attack from someone else and she is panicking, and in A Slow Boat to China, where the narrator is made to feel like he doesn't belong and he confronts this feeling by referring to the Chinese as the separate entity he can't quite ever keep a hold of or even reach. Maybe it isn't a direct relationship, but it is certainly something I could keep on making connections with the other short stories in the book.
ReplyDelete